Very sad today to see an announcement that Gibson Brands is shutting Cakewalk down with immediate effect. I’ve been using Cakewalk Pro Audio 9 and SONAR 1 all the way through to SONAR Platinum since something like 2001. A real shame. At the time of writing, there appears to be no indication of whether the Cakewalk products are going or likely to be sold.
Update: As of now, no news on what’s going to happen to the Cakewalk products, but I’m not convinced it’s a good idea to wait to see, so I’ve decided to crossgrade to Cubase 9.5 Pro – just waiting for the sales team at Cakewalk to verify my eligibility, and then I can order it. They have a special offer on at the moment at £248 inc VAT which isn’t an outrageous price. And you’d hope that with Steinberg being owned by Yamaha that they aren’t going to just suddenly drop what is probably the oldest DAW in the world at the drop of a hat.
Yesterday was an historic day in this country and the rest of the European Union, as one of the most popular songs in the world finally became public domain.
For those of you that read my last article, you’ll know that I had to turn the power management off on the PCI slots to make my sound card work properly. Well tonight I’ve been comparing the new WASAPI drivers vs the ASIO drivers on my RME HDSP9632 sound card using SONAR Platinum, and the effective latency results were quite surprising:
I have a problem which is probably unusual in most home networks, which is that I have multiple subnets coming off one of my LAN interfaces on my router. For most IP-routed things, this is obviously not a problem, but there is seemingly one exception to this rule, and that is multicast packets.
Recently, the recording industry (and in particular Universal Music) have announced the joyous news that you are now able to get “High Fidelity Pure Audio” format (that’s an audio Blu-Ray disc to you and me, only playable in Blu-Ray players), supposedly in up to 192kHz/24-bit audio which, it is claimed, will sound vastly superior to the 44.1kHz/16-bit audio CD which has been around for 30-odd years already.
Apart from perhaps the ability to release multichannel recordings on a physical disc without Dolby Surround encoding it (which could be done with, amongst other things, the FLAC file format anyway), what is the point of using such a high sample rate? Have they not read http://xiph.org/~xiphmont/demo/neil-young.html yet?
Over the past few months, I’ve been working on an orchestral soundtrack for Cuddington Youth Drama for their next production, “Search for Odysseus” by Charles Way. It’s a play based around Homer’s Odyssey, but from the son’s (Telemachus) point of view, in the search for his father. It’s taken a while to get it done – 22 tracks in all, and nothing but the song words to go on, so it’s been a bit of challenge (especially as it’s also the first play score I’ve composed!). Anyway, the score is all done and recorded now, apart from the obligatory tidying up and necessary spit and polish, and actually finished a week ahead of schedule!
So, if you’re local, don’t forget to come and see it – details on the CYD web site.